National Book Award winner, Professor Emeritus at University of Washington, and former MacArthur fellow, Charles Johnson is one of America’s preeminent scholars on literature and race. His most recent book, The Way of the Writer: Reflections on the Art and Craft of Storytelling (Scribner, 2016), is both a literary reflection on the creative impulse and a utilitarian guide to the writing process. James McBride called the book “a treasure chest of writing secrets and philosophy,” and David Guterson called it “indispensable.”
The topic of Johnson’s craft talk is forthcoming.
General: $15 | Hugo House member: $12 | Student (with ID): $6
Tickets at door dependent on availability.
Books will be for sale through Elliott Bay Book Company.
ABOUT THE AUTHOR
Charles Johnson has published widely and is the author of four novels, three story collections, a young adult book, numerous collections of nonfiction, and over 20 screenplays. His novel Middle Passage won the National Book Award for Fiction in 1990, making him the first African-American male to win the prize since Ralph Ellison in 1953. His novel Oxherding Tale was awarded the 1983 Washington State Governor’s Award for Literature; The Sorcerer’s Apprentice, a story collection, was one of five finalists for the 1987 PEN/Faulkner Award; and Being and Race won a 1989 Governor’s Award for Literature.
His short fiction is included in the O’Henry Prize Stories (1993), Best American Short Stories (1992), Best American Short Stories of the Eighties, and he was named in a survey conducted by the University of Southern California to be one of the ten best short story writers in America; his short fiction and essays are much anthologized.
In 2001, Johnson received the Pacific Northwest Writers Association’s Achievement Award “for distinguished professional achievement and for enhancing the stature of Northwest literature.”
ABOUT WORD WORKS EVENT SERIES
For those who sit and stare in wonder at a sentence, a turn of phrase, or a particularly great execution of a literary device, marveling at how they could come about, Word Works talks show writers at their most revealing, with live close-readings demonstrating different facets of writing.
These talks by novelists, essayists, poets, and memoirists draw back the curtain on the process of writing. Each talk by a guest writer focuses on a specific element—such as dialogue, metaphor, voice, or structure—that should be in every writer’s toolbox. The talks are followed by an interview with a noted editor, writer, or critic.
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